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Publications

Published papers (peer-reviewed)

  1. Valuch, C., & Ansorge, U. (2015). The Influence of Color during Continuity Cuts in Edited Movies: An Eye-Tracking Study. Multimedia Tools and Applications, 74(15). doi: 10.1007/s11042-015-2806-z [article]

  2. Valuch, C., Pflüger, L. S., Wallner, B., Laeng, B., & Ansorge, U. (2015). Using eye tracking to test for individual differences in attention to attractive faces. Frontiers in Psychology, 6:42. doi: 10.3389/fpsyg.2015.00042 [article]

  3. Ansorge, U., Buchinger, S., Valuch, C., Patrone, A. R., & Scherzer, O. (2014). Visual Attention in Edited Dynamical Images. In SIGMAP 2014: Proceedings of the 11th International Conference on Signal Processing and Multimedia Applications. ScitePress. doi: 10.5220/0005101901980205 [article]

  4. Pflueger, L. S., Valuch, C., Gutleb, D., Ansorge, U., & Wallner, B. (2014). Colour and contrast of female faces: Attraction of attention and its dependence on male hormone status in Macaca fuscata. Animal Behavior, 94, 61-71. doi:10.1016/j.anbehav.2014.05.022 [article] 

  5. Valuch, C., Ansorge, U., Buchinger, S., Patrone, A. R. & Scherzer, O. (2014). The Effect of Cinematic Cuts on Human Attention. In TVX '14: Proceedings of the 2014 ACM International Conference on Interactive Experiences for TV and Online Video. ACM, New York, NY, USA. doi: 10.1145/2602299.2602307 [article]

  6. Becker, S. I., Valuch, C., & Ansorge, U. (2014). Color priming in pop-out search depends on the relative color of the target. Frontiers in Psychology, 5: 289. doi: 10.3389/fpsyg.2014.00289 [article]

  7. Valuch, C., Becker, S. I., & Ansorge, U. (2013). Priming of Fixations during Recognition of Natural Scenes. Journal of Vision, 13(3):3, 1-22. doi: doi: 10.1167/13.3.3 [article]

Published abstracts (peer-reviewed)

  1. Goller, F., Valuch, C., & Ansorge, U. (2014). Follow me! A spatial compatibility effect of perspective changes on viewing directions in cinematic cuts. Perception, 43(S), 56-56. [ECVP 2014 abstract]

  2. Valuch, C., König, P., & Ansorge, U. (2014). Visual features that repeat across cuts guide attention in movies. Journal of Vision, 14(10), 375. [VSS 2014 abstract]

  3. Valuch, C., Becker, S. I., & Ansorge, U. (2013). Task-dependent priming of fixations during recognition of natural scenes. Journal of Eye Movement Research, 6(3), 199. [ECEM 2013 abstract]

  4. Huber-Huber, C., Valuch, C., König, P., & Ansorge, U. (2013). Priming of attention and saccades by continuity editing and feature repetition in movies. Journal of Eye Movement Research, 6(3), 350. [ECEM 2013 abstract]

  5. Valuch, C., Becker, S. I., & Ansorge, U. (2013). Task-dependent priming of fixation selection for recognition of natural scenes. Journal of Vision, 13(9), 924. [VSS 2013 abstract]

  6. Valuch, C., & Ansorge, U. (2012). Previously fixated visual features improve scene recognition. Perception, 41(S), 124-125. [ECVP 2012 abstract]

  7. Pflueger, L. S., Valuch, C., Ansorge, U., & Wallner, B. (2012). Colour as a cue of sexual attractiveness and attentional preference in Japanese Macaques. Perception, 41(S), 127. [ECVP 2012 abstract]

  8. Ansorge, U., & Valuch, C. (2011). Gaze allocation to corresponding feature contrasts improves scene recognition performance. Journal of Eye Movement Research, 4(3), 144. [ECEM 2011 abstract]

 

Talks

  1. Valuch, C., Ansorge, U., Buchinger, S., Patrone, A. R. & Scherzer, O. (2014). The Effect of Cinematic Cuts on Human Attention. Talk presented at TVX 2014 (ACM International Conference on Interactive Experiences for TV and Online Video), Newcastle Upon Tyne, UK, June 25–27, 2014.

  2. Valuch, C., König, P., & Ansorge, U. (2014). "Wo waren wir stehengeblieben?" - Der Einfluss von Filmschnitt auf visuelle Aufmerksamkeit. Talk presented at the 11th Conference of the Austrian Society of Psychology (Oesterreichische Gesellschaft fuer Psychologie), Vienna, Austria, April 24-26, 2014.

  3. Valuch, C., Becker, S. I., & Ansorge, U. (2013). Task-dependent priming of fixations during recognition of natural scenes. Talk presented at the 17th European Conference on Eye Movements (ECEM), Lund, Sweden, August 11-16, 2013.

  4. Valuch, C., Becker, S. I., & Ansorge, U. (2013). Task-dependent priming of fixation selection for recognition of natural scenes. Talk presented at the Vision Sciences Society 13th Annual Meeting, Naples, FL, USA, May 10-15, 2013.

  5. Becker, S. I., Valuch, C., & Ansorge, U. (2013). The inverse set size effect in visual search: New insights from eye movements. Talk presented at the Experimental Psychology Conference (EPC), Adelaide, Australia, 03.-06.04.2013.

  6. Valuch, C., Becker, S. I., & Ansorge, U. (2013). Priming of Fixations during Recognition of Natural Scenes. Talk presented at the 55th TeaP 2013 (Tagung experimentell arbeitender Psychologen / Conference of Experimental Psychologists), Vienna, Austria, March 24-27, 2013.

  7. Valuch, C., & Ansorge, U. (2011). Looking at familiar stimulus features leads to better scene recognition. Talk presented at the 44th HexKoP (Herbsttreffen Experimentelle Kognitionspsychologie), Bielefeld, Germany.

Posters

  1. Valuch, C., & Ansorge, U. (2015). New perspectives on familiar issues: How visual attention and memory help establishing continuity in edited moving images. Poster presented at the annual conference of the Society for Cognitive Studies of the Moving Image (SCSMI), London, UK, June 17-21, 2015.

  2. Valuch, C., Seywerth, R., König, P., & Ansorge, U. (2015). Why do cuts work? - Implicit memory biases attention and gaze after cuts in edited movies. Poster presented at the Vision Sciences Society 15th Annual Meeting, St Pete Beach, FL, USA, May 15-20, 2015.

  3. Valuch, C., & Ansorge, U. (2015). Asymmetrical oculomotor capture by motion and color singletons in dynamical visual search displays. Poster presented at the TeaP 2015 (Tagung experimentell arbeitender Psychologen/Conference of Experimental Psychologists), Hildesheim, Germany, March 8-11, 2015.

  4. Goller, F., Valuch, C., & Ansorge, U. (2014). Follow me! A spatial compatibility effect of perspective changes on viewing directions in cinematic cuts. Poster presented at the ECVP 2014 (European Conference on Visual Perception), Belgade, Serbia, August 24-28, 2014.

  5. Valuch, C., König, P., & Ansorge, U. (2014). Visual features that repeat across cuts guide attention in movies. Poster presented at the Vision Sciences Society 14th Annual Meeting, St Pete Beach, FL, USA, May 16-21, 2014.

  6. Goller, F., Valuch, C., & Ansorge, U. (2014). „Links, Rechts, Mitte, Nahe oder Totale“ – Über den Einfluss der Kameraperspektive auf das Blickverhalten beim Betrachten von Filmen. Poster presented at the 11th Conference of the Austrian Society of Psychology (Oesterreichische Gesellschaft fuer Psychologie), Vienna, Austria, April 24-26, 2014.

  7. Valuch, C., König, P., & Ansorge, U. (2014). Visual features that repeat across cuts guide attention in movies. Poster presented at the closing conference of the ZiF (Zentraum für interdiziplinäre Forschung) research group on Competition and Priority Control in Mind & Brain: New Perspectives from Task-Driven Vision. Bielefeld, Germany, March, 2014.

  8. Huber-Huber, C., Valuch, C., Koenig, P., & Ansorge, U. (2013). Priming of attention and saccades by continuity editing and feature repetition in movies. Poster presented at the 17th European Conference on Eye Movements (ECEM), Lund, Sweden, August 11-16, 2013.

  9. Ansorge, U., Valuch, C., & König, P. (2012). Priming of visual attention by continuity editing in dynamic visual scenes. Poster presented at the opening conference of the ZiF (Zentraum für interdiziplinäre Forschung) research group on Competition and Priority Control in Mind & Brain: New Perspectives from Task-Driven Vision 2012. Bielefeld, 9.-11.10.2012.

  10. Valuch, C., & Ansorge, U. (2012). Previously fixated visual features improve scene recognition. Poster presented at the ECVP 2012 (European Conference on Visual Perception), Alghero, Italy.

  11. Pflueger, L. S., Valuch, C., Ansorge, U., & Wallner, B. (2012). Colour as a cue of sexual attractiveness and attentional preference in Japanese Macaques. Poster presented at the ECVP 2012 (European Conference on Visual Perception), Alghero, Italy.

  12. Valuch, C., Pflueger, L. S., Wallner, B., & Ansorge, U. (2012). Linger on … your pale blue eyes: measuring facial attractiveness objectively. Poster presented at the XXI Biennal Conference on Human Ethology (13-17 August 2012), Vienna, Austria.

  13. Pflueger, L. S., Valuch, C., Ansorge, U., & Wallner, B. (2012). Female Facial Colouration Affects Male Attentional Preferences in Japanese Macaques. Poster presented at the XXI Biennal Conference on Human Ethology (13-17 August 2012), Vienna, Austria.

  14. Heise, N., Valuch, C., Pflueger, L. S., Ansorge, U., Wallner, B., & Huber, L. (2012). Towards an understanding of the universal principles of cognition in men and animals. Poster presented at the XXI Biennal Conference on Human Ethology (13-17 August 2012), Vienna, Austria.

  15. Valuch, C., & Ansorge, U. (2012). Der Einfluss der Augenfarbe auf die Gesichtsattraktivitaet und die Sakkadenlatenz. Poster presented at the 10th Conference of the OeGP (Oesterreichische Gesellschaft fuer Psychologie), Graz, Austria.

  16. Valuch, C., & Ansorge, U. (2012). Measuring the influence of eye colour and gender on the attentional bias for faces. Poster presented at the TeaP 2012 (Tagung experimentell arbeitender Psychologen), Mannheim, Germany.

  17. Ansorge, U., & Valuch, C. (2011). Gaze allocation to corresponding feature contrasts improves scene recognition. Poster presented at the 16th European Conference on Eye Movements (ECEM), Marseille, France, 21-25 August, 2011.

Theses

  1. Valuch, C. (submitted in May 2015). The role of visual attention for the recognition of static and dynamic visual scenes. Doctoral thesis, University of Vienna, Austria. (Advisor: Prof. Ulrich Ansorge).

  2. Valuch, C. (2011). Gaze allocation to corresponding feature contrasts improves scene recognition (German title: "Der Beitrag wiederholt betrachteter lokaler Merkmalskontraste zur erfolgreichen Wiedererkennung natürlicher Szenen"). Unpublished diploma thesis, University of Vienna, Austria. (Advisor: Prof. Ulrich Ansorge).
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